Days Out With George

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Category: Further afield

January 13, 2020May 5, 2021 George Handel

The Tower of London

January 9, 2020May 5, 2021 George Handel

Bunhill Fields Burial Ground, London

January 6, 2020August 6, 2021 George Handel

A walk through the Stonehenge Landscape

January 5, 2020May 5, 2021 George Handel

Maiden Castle and the Cerne Abbas Giant

January 4, 2020May 5, 2021 George Handel

Bratton Camp and Westbury White Horse

January 2, 2020August 24, 2021 George Handel

A visit to Avebury

January 1, 2020May 5, 2021 George Handel

Among ancient trees at Croft Castle and Parkland

December 31, 2019May 5, 2021 George Handel

Arbor Low and Gib Hill

December 29, 2019May 5, 2021 George Handel

Holy Island of Lindisfarne

December 26, 2019June 4, 2021 George Handel

East Side Gallery, Berlin

December 25, 2019June 4, 2021 George Handel

Christmas Day on Museumsinsel, Berlin

December 24, 2019May 5, 2021 George Handel

A Christmas Eve walk in Frohnau

December 19, 2019May 5, 2021 George Handel

Around the Friesenberg in Baden-Baden

December 19, 2019May 5, 2021 George Handel

Along the Lichtentaler Allee in Baden-Baden

December 18, 2019May 5, 2021 George Handel

A day out in Schiltach

December 16, 2019May 5, 2021 George Handel

A walk in the Black Forest

December 13, 2019August 26, 2021 George Handel

A walk to the Romedikirchl in Thaur

December 11, 2019May 5, 2021 George Handel

Along the Contemplation Path from Absam to Gnadenwald

December 9, 2019May 5, 2021 George Handel

Area Archeologica di Fiesole

December 7, 2019May 5, 2021 George Handel

Street art in Florence

December 4, 2019May 5, 2021 George Handel

A trip to Ostia Antica

December 3, 2019May 5, 2021 George Handel

To Trevi Fountain and beyond…

December 2, 2019May 5, 2021 George Handel

A day out in Rome

Hi, I’m George

Former Baroque composer. Rides a bicycle, takes photos, enjoys days out. Has largely given up wigs, clavichords, gluttony etc.

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'Red-blue chair' (designed 1917, manufactured c. 1970), G. A. Van de Groenekan, De Bilt (manufacturer), Gerrit Rietveld (designer), NGV International, Melbourne, Nov 2021. Rietveld first produced his chair in stained wood, but later (under the influence of the De Stijl movement and Piet Mondrian) painted it red, blue and yellow. The plaque tells us that "purged of all ornament and stripped back to its barest structure, the 'Red-blue chair' is a play on verticals and horizontals, an abstract, architectural construction that is now an icon of modernism." Who am I to argue with that?
Henry Moore, 'Reclining figure no. 7' (1979–80, bronze), NGV International, Melbourne, Nov 2021. The National Gallery of Victoria has at least eight Henry Moore sculptures. This one, 'Reclining figure no. 7', is prominently displayed in front of the gallery's most famous work, Picasso's 'Weeping Woman'. According to the plaque, Moore's sculptures, often of reclining figures, reflected his "long-standing interest in the relationship between humanity and the landscape." The figures' "biomorphic undulations and distortions" were inspired by weathered tree trunks and rocks. In addition, many of Moore's female figures have Earth-Mother qualities, as can be seen in 'Reclining figure no. 7'.
Federation Court, NGV International, Melbourne, Nov 2021. The National Gallery of Victoria's Federation Court, located between the foyer and the Great Hall with its famous Leonard French stained-glass ceiling, is used as a space for large-scale installations. The court was empty on the day of my visit – a new exhibition is in store – but the grey, geometric stonework is itself attractive, particularly with the midday sun streaming in through the glass roof. If you look carefully you can see yours truly reflected in the centre window.
Danielle Brustman, 'Coloured in' (2020), NGV International, Melbourne, Nov 2021. Part of the NGV Triennial, designer Danielle Brustman's installation 'Coloured in' explores "the functional and affective qualities of colour to shine light on its omnipresent role in shaping human experience." 'Coloured in' comprises the colourful goat-hair carpet that lines the walkways above the NGV's Great Hall, as well as other pieces.
'Peeing boy (fountain)', Julian Opie (2018), NGV International, Melbourne, Nov 2021. London-born Julian Opie's 'Peeing boy (fountain)' made quite a splash when it first appeared at the NGV International in 2018 as part of a broader Opie exhibition. It still does.
Sunshine Barley Terminal, 2 Wright St, Sunshine. Photographed from Matthews Hill Grassland Oct 2021. The Sunshine Barley Terminal, perhaps best known for the painted political slogan ‘Free West Papua’ on its concrete silos, was built between 1965 and 1977. The terminal has a total capacity of 64,000 tonnes across twenty concrete silos, ten steel silos and a large shed. It stopped receiving grain in 2015 and was sold off by owner GrainCorp in 2020. It remains a local icon.
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